Cecil B. DeMille’s THE SIGN OF THE CROSS (1932) was a rare PEPLUM movie of the 1930s. It was a success and 11 years later, the movie was re-released for the second time (it was also re-issued in 1938). New footage was added to the 1944, which can be seen in the trailer posted below. For decades, this version was the only version available. The original pre-code 1932 cut, with all the naughty stuff, was too racy once the Hayes code was set in place. All the cuts scenes were eventually restored in the 1990s and the 1944 version disappeared even if for many people it was, with the WW 2 angle, the one they saw on television.
The question is: will this 1944 version ever be available again?
I’ve purchased the German Blu-ray of ROMULUS & REMUS (1961). It’s traveling halfway across the world right now. In the meantime, a great friend of mine sent me a digital copy of it while I wait impatiently for it to arrive.
The German BR has audio in Italian, German and *English*. Since I just received this HD print, I haven’t watched it from beginning to end but needless today it’s a thing of beauty. Here are some screengrabs.
Gordon Scott and Steve Reeves with cast. Very sharp image.
Crowd scene. Everything is so clear. It’s beautiful.
Another crowd scene, with Jose Greci, Virna Lisi and Jacques Sernas, and Franco Volpi (seated)
This is not a review of the Blu-ray or of the movie. I just wanted to share some screngrabs of the French Blu-ray release of MESSALINA (1960). The BR was available from back in 2018 and had I known this I would have bought because it’s really beautiful. If you’re capable of playing region B Blu-rays, from a stand alone player or from your computer, this edition is really worth it, certainly since it includes the English track. Here are some scenes from the movie.
Belinda Lee as Messalina
Spiros Focas and Belinda
Belinda looks amazing!
Is the movie historically accurate? Does it matter? Enjoy it for what it is, one heck of a PEPLUM directed by Vittorio Cottafavi.
Today, I received a massive poster of the original Italian version of GOLIATH & THE DRAGON (1960), or know as THE REVENGE OF HERCULES, starring Mark Forest. But from looking at the excellent artwork it’s Steve Reeves, not Mark.
The best Steve Reeves poster that’s not a Steve Reeves movie?
There’s a current batch of PEPLUM titles now available in HD. These titles are not available on Blu-ray but were broadcast in HD or are available for streaming. This bodes well for the genre. Titles long left in obscurity now look absolutely amazing! Looking forward to more titles in the future.
Above and below: CLEOPATRA’S DAUGHTER (1960) starring Debra Paget and Corrado Pani. The most stunning HD print of a PEPLUM title, even surpassing the equally stunning German Blu-ray of THIEF OF BAGHDAD (1961) starring Steve Reeves. I’m just amazed by the clarity of the image. This movie has not been released on BR but is available as a streaming title in Italy.
Above and below (2): Another beautiful print of a favourite movie of mine, ULYSSES AGAINST HERCULES (1962) starring Georges Marchal. Not as stunning as CLEOPATRA’S DAUGHTER or THIEF OF BAGHDAD it’s still great to see.
ULYSSES AGAINST HERCULES was filmed on the Canary Islands. As the image above shows, the image quality is not as perfect as CLEOPATRA’S DAUGHTER.
Above and below: SULEIMAN THE CONQUEROR (1961), starring Giorgia Moll and Alberto Farnese (above) is hard to get movie and previous prints were always disappointing. Not anymore. Though not super pristine as other prints (as the below screengrab shows), is a definite improvement over other releases. Worthy of a Fan Dub.
And last but not least. A recent showing of SON OF SAMSON (1960) on the Italian network, RAI. The image is stunning. Unfortunately, the aspect ratio is not full 1920×1280 HD. It, and Mark, still look great though.
HERCULES UNCHAINED is the popular sequel to the worldwide smash hit HERCULES (1958). It’s as good as the first movie, with some claiming it’s superior to the first one. With the success came a greater scrutiny towards the follow up. And one of the results of this added scrutiny is something HERCULES didn’t really experience: scenes cut from the original vision of Pietro Francisci’s work. HERCULES UNCHAINED was trimmed here and there, and depending on which version you watch, some scenes were removed or shorten. Here are the scenes which usually got the axe.
This cheesecake scene is not in the US version of HERCULES UNCHAINED. It appears when Hercules, Iole and Ulysses are traveling on the wagon and Ulysses happens to see these women just hanging out on the beach. It’s an innocuous moment and the women are all gorgeous but it’s clearly a case of gratuitous cheesecake that doesn’t really add much to the story. I sorta understand why it was removed but then again the scene is so harmless that why not just leave it in? Annie Gorassini is part of this harem.
If you notice, a lot of the scenes cut are scenes with women. In this important scene, Iole learns of Hercules childhood, including the moment he fought with two snakes, as pictured in a wall mural. This scene should have been left uncut. It’s important to the Hercules mythology. In the cut version, we don’t see this and the movie goes straight of Iole and Hercules kissing.
Another scene with Iole. Iole waits impatiently for any word of Hercules. She passes her time weaving while new acquaintances ask her personal questions which upsets her. This scene is either entirely cut or shorten. It’s important in that we see the passage of time while Hercules is a captive of Omphale. Should never have been cut.
In this brief scene, we see Ulysses’ girlfriend, played by Marisa Valenti, listening to a seashell. It’s a nice scene and it establishes Ulysses in a relationship. The scene is so short that it shouldn’t have been cut.
The pyre at the end of the movie for Eteocles (Sergio Fantoni) and Polinices (Mimmo Palmara). The scene is cut from the US, Spanish, French prints I have. The already short scene was shortened in other releases, including the German print. The Italian and the Japanese Blu-ray are uncut.
A 1959 edition of MOVIE NEWS magazine, a publication printed in Singapore, had an article on SPARTACUS. It has some interesting bits of info, including the fact that Tony Curtis had been injured and was walking on crutches. The article sorta contradicts itself, claiming the movie will cost $27 million and $18 million which seems to be a lot in both cases.
Mario Bava’s KNIVES OF THE AVENGER (1966) is an oddity. In regards to Bava’s career, the movie is pretty straighfoward will no Bava touches to it. It’s also a late comer, having been released in 1966, a time when the PEPLUM genre had been considered dead. It’s also pretty much a Viking version of the classic Western SHANE (1953).
But this is not a review of the movie but the Blu-ray release. Well, it’s not complicated: it’s a great release. The image is crisp and even though the audio could have had more oomph it’s acceptable. The thing is this movie often had fairly good releases so this Blu-ray doesn’t create a ‘WOW’ effect like other PEPLUM movies which had only crappy releases for a very long time.
I like it and the movie itself is fine though it’s more drama than action. Overall, I recommend it but mainly for fans of PEPLUM movies, of Cameron Mitchell or Mario Bava completists.
Here are some screengrabs from it.
Cameron Mitchell and Elissa Pichelli
Luciano Pollentin and Cameron Mitchell
Giacomo Rossi Stuart. One of the few optical effects in the movie: the ship was obviously not there (no reflection in the water).