This blog was created in anticipation of a magazine or zine…but the pandemic occurred and everything was thrown out of the window. I’m slowly trying to get back into it. I have several topics which I want to cover but I actually had a PEPLUM star ready for an interview. I decided to do this interview for the very first publication of the magazine. What better way to start a magazine than with one of the stars from the Golden Era? But the star has stopped communicating with me. Mind you, I was this star’s first Facebook friend 5 or 6 years ago. Gradually this star felt more comfortable communicating via Facebook. I’ve been friends with them for all that time. I never asked for anything. Then this star wanted me to promote a soon to be published biography. I was ok with it but in exchange I asked this star for a written interview. This star had no issues with this. But after I sent them a list of questions they stopped communicating with me. So, the whole concept for the first publication was, again, thrown out of the window. I won’t disclose the name of this star because that’s not the point of this. Who knows, maybe they’ll change their minds (I doubt it). But I have to refocus on another subject of this publication. It sucks. Hopefully, it will be available for fall.







Nadir Moretti and Conrando San Martin look odd…
Carlo Tamberlani looks like a ghost…
Moira Orfei looks odd…
The movie eventually becomes normal again. For the most part the image is pretty clear and sharp.
Gordon Scott and Steve Reeves with cast. Very sharp image.
Crowd scene. Everything is so clear. It’s beautiful.
Another crowd scene, with Jose Greci, Virna Lisi and Jacques Sernas, and Franco Volpi (seated)
Virna Lisi

