More good news. NEFERTITI – QUEEN OF THE NILE (1961) starring Jeanne Crain, Edmund Purdom and Vincent Price, will have an official Blu-ray release in Germany. The Amazon link doesn’t have any screengrabs but if a recent print I acquired recently will tell well the image quality will be stunning.
Great news! DUEL OF THE TITANS (1961) starring Steve Reeves, Gordon Scott, Virna Lisi and many others, will have a Blu-ray release in Germany in January. From the provided screenshots, the movie looks stunning. Can’t wait to see it.
Advertising placed in a Hollywood trade publication in 1957 touting the success of 7TH VOYAGE OF SINBAD. I love these ads. They say more about the movie than the movie itself, even if these ads were stuff straight from the publicity department of the studios, in this case COLUMBIA PICTURES.
…Encyclopedia Brittanica’s school film series about Greek Myths.
Someone uploaded a clip from one of these films on Greek myth to Youtube, Theseus and the Minotaur, and though the image is super murky it looks quite interesting and promising. The uploaded wrote that the films are in color. If anyone has any info or at least great copies of these Greek myth movies please contact me.
November 2019 KINO LORBER announced the 4K restoration of GOLIATH AND THE VAMPIRES (1961), renamed here as SAMSON AGAINST THE VAMOIRES. As the screenshot shows, the movie was supposed to be released in 2020, or early 2020. As of October 8, 2020, there’s still no news about it.
People posted messages supporting this news and added how much they would love to see more PEPLUM movies get the same treatment and yet nothing is done about it. There’s a HUGE market for these movies around the world, including North America, and no one is capitalizing on it. Like I’ve said so many times, the PEPLUM genre gets no respect.
HERCULES UNCHAINED is the popular sequel to the worldwide smash hit HERCULES (1958). It’s as good as the first movie, with some claiming it’s superior to the first one. With the success came a greater scrutiny towards the follow up. And one of the results of this added scrutiny is something HERCULES didn’t really experience: scenes cut from the original vision of Pietro Francisci’s work. HERCULES UNCHAINED was trimmed here and there, and depending on which version you watch, some scenes were removed or shorten. Here are the scenes which usually got the axe.
This cheesecake scene is not in the US version of HERCULES UNCHAINED. It appears when Hercules, Iole and Ulysses are traveling on the wagon and Ulysses happens to see these women just hanging out on the beach. It’s an innocuous moment and the women are all gorgeous but it’s clearly a case of gratuitous cheesecake that doesn’t really add much to the story. I sorta understand why it was removed but then again the scene is so harmless that why not just leave it in? Annie Gorassini is part of this harem.
If you notice, a lot of the scenes cut are scenes with women. In this important scene, Iole learns of Hercules childhood, including the moment he fought with two snakes, as pictured in a wall mural. This scene should have been left uncut. It’s important to the Hercules mythology. In the cut version, we don’t see this and the movie goes straight of Iole and Hercules kissing.
Another scene with Iole. Iole waits impatiently for any word of Hercules. She passes her time weaving while new acquaintances ask her personal questions which upsets her. This scene is either entirely cut or shorten. It’s important in that we see the passage of time while Hercules is a captive of Omphale. Should never have been cut.
In this brief scene, we see Ulysses’ girlfriend, played by Marisa Valenti, listening to a seashell. It’s a nice scene and it establishes Ulysses in a relationship. The scene is so short that it shouldn’t have been cut.
The pyre at the end of the movie for Eteocles (Sergio Fantoni) and Polinices (Mimmo Palmara). The scene is cut from the US, Spanish, French prints I have. The already short scene was shortened in other releases, including the German print. The Italian and the Japanese Blu-ray are uncut.
A 1959 edition of MOVIE NEWS magazine, a publication printed in Singapore, had an article on SPARTACUS. It has some interesting bits of info, including the fact that Tony Curtis had been injured and was walking on crutches. The article sorta contradicts itself, claiming the movie will cost $27 million and $18 million which seems to be a lot in both cases.
I finally acquired the Blu-ray version of ULYSSES (1954) starring Kirk Douglas, Sylvana Mangano, Anthony Quinn, and many soon to be PEPLUM stars, like Rossana Podesta, Umberto Silvestri and Alberto Lupo.
The review will be short: the image quality is excellent. The details of the sets and costumes are eye-popping. The one issue, like so many transfers to HD, have to do with the many dark scenes which are very dark. I don’t know what’s the process which leads to this but it’s something I’ve noticed in nearly all new Blu-rays. It’s very annoying. But aside from this somewhat important point, the rest, meaning the not so dark scenes, are stellar. Beautiful.
The one big problem with this version is the English audio. It’s absolutely horrible. I have an old version of the movie, from a VHS source, and the audio is nearly as bad as the VHS version, minus the VHS noise in the background. The audio sounds like it was recorded in a toilet. So, great image (when it’s not dark) but horrible English audio.
This copy is NOT the soon to be released version from KINO, which will be released on August 25…Note: the release date has changed to Nov. 17. Hopefully the audio from that version will be much better. I will purchase it.
It’s funny how things work. I’ve been writing and blogging on the PEPLUM genre now over 10 years and I’m always amazed how some things just go under the radar.
I’ve recently discovered two books on the PEPLUM genre and I had never heard of them, from any other place or person lurking around the many websites/social media sites I maintain.
Now I won’t mention these two books since I’m going over one of them at the moment and I’m waiting to receive the other one. Needless to say, these discoveries are fun but also worrisome. What else am I missing?
A recent book I acquired, on the career of Riccardo Freda, which cost over $90.00, is a disappointment. I thought the book would be more on the details of his movies but the writing (which is good…) reads more like a novel than anything else. Personally, I don’t feel the need to read it or even discuss it any further. The PEPLUM ‘community’ is very small and word gets out quickly and I don’t feel I’m in a position to say anything further on that (expensive) book. I like Riccardo Freda and I’m disappointed that the book didn’t live up to my (modest) expectations. I’m also disappointed because it’s so damn expensive.
I’m in the (very long) process of working on a PEPLUM book myself. It takes a lot of time and work to do this. There are things in the work right now, which I hope will come to fruition. A book or two is the logical end result of accumulating so much knowledge on one subject.
I created this website last summer in anticipation for a new major project. It’s no secret, the new project was to be a magazine. I was working on it for some time and then the whole coronavirus issue occurred which delayed everything since I had to take care of an elderly parent 24/7. I had very little time to do anything aside from the usual posts.
Because of the pandemic and its consequences I have tons of projects I set aside for months. I need to take a break. Next week, I won’t be posting and the weeks after will depend on how I’ve achieved in re-focusing everything as they were before the pandemic. I don’t have any time frame for that but it might take some time. Don’t worry, I’ve recently renewed the hosting service for this website so it’s good for another year. But for now, at least in July, postings for most of the month will be minimal. It’ll be a Herculean effort and hopefully I will be able to post regularly in a couple weeks.